or even the history of Chinese
cinema could be totally different.
This girl was Hsu Feng, and the director was
King Hu, who introduced her to the world of cinema
and changed her life entirely from that moment
on.
She was soon offered a six-year contract. However,
in those six years, she acted in only five films
including Dragon Gate Inn and A Touch of Zen.
A Touch of Zen alone took four years to finish.
In 1975, King Hu took this film to Cannes International
Film Festival for competition, and received huge
success. Hsu Feng went there too. When she stepped
on the red carpet in her elegant Qipao, the excited
crowds outside of Palais were cheering and applauding
for this brave Chinese heroine, and they wouldn't
leave even when the film was over. To Hsu Feng,
that year was an important milestone in her life:
the film brought great honor to all Chinese;
she also felt responsibility this honor had carried
along. This sense of honor and responsibility
is the reason why Hsu Feng turned her role from
an actress to a film producer many years later.
King Hu successfully created a beautiful swordswoman
with a sense of justice and super Kung fu on
screen. Since then, Hsu Feng, together with the
ever-popular Kung fu movies, has become an unforgettable
memory of a whole generation in Taiwan, and “Swordswoman”
has also become a nickname for Hsu Feng.
"I'm not a lucky little girl who led a colorful
life soon after I did my first movie and made
a fame internationally. My story was completely
different," once she said in an interview, "King
Hu was such a strict director, .I had to demand
more and more from myself, and in the end I was
at a loss of what is a satisfactory result."
In her career, she played different roles in
about 50 movies. Apart from being a Kung fu actress,
she also challenged herself in a diverse category
of films such as literary films, war films and
historical films. Her subtle, profound and matured
acting skills won her The Best Actress Award
at 22nd Asian-Pacific Film Festival and The Best
Actress Award at Golden Horse Award in 1976 an
1980 respectively.
In 1980, she chose to retire from her acting
career. She married a successful businessman,
Mr. David Tong. On her wedding, King Hu gave
her a book of press clippings as a gift. Those
clippings were all reports and comments about
Hsu Feng and her movies. King Hu regarded her
early retirement as a great pity.
Hsu Feng became a good wife and a mother of
two. Films brought best days to Hsu Feng’s life,
then how could she leave all her joys and sorrows
in those films behind? They were still in her
dreams, in her blood. She talked to her husband
about going back to movies, “He finally lost
his patience listening to my complaints, and
gave me an amount of money to do whatever I like.
I thought for a month, and then decided to start
a production company.” After four years of silence,
Hsu Feng returned to the film industry by establishing
“Tomson Film Co., Ltd” in 1986. She resumed her
film career, this time, however, not as an actress,
but as a film producer.
It is no doubt that Hsu Feng was a professional
and successful actress, but she had to learn
everything from the very beginning to become
a producer. “I knew nothing about being a boss
of a film company. All I had was passion.” She
recalled. How to achieve the balance between
art and business is a tough question even for
veteran film producers. After years of ups and
downs, she paid her price to have learned a simple
truth---The most important rule to make a good
film is that it will attract audience to cinemas
and enjoy.
Concept changes behavior. Starting
from Red Dust in 1990, Tomson films gave out
extraordinary splendor in both box office and
international accolade. Five Girls and A Rope
was another hit. Hsu Feng revealed with pride
that when she first went to Cannes in 1975, she
noticed that all awards had only one certificate
except the Palme d'Or is a golden statue. She
prayed one day she would receive this statue.
Though it was a long way, her prayer was answered
after 18 years. In 1993, the company's signature
production Farewell to My Concubine, directed
by Chen Kaige, continued the glory of “Swordswoman” Hsu
Feng, and won Palme d'Or at Cannes International
Film Festival.
Hsu Feng has been honored with
a tribute to her work by the Film Society of
Lincoln Center in New York, and received “Profession
Producteur Award” at 51st Cannes International
Film Festival for her contribution to the film
industry. In 2001, the Royal Family of the Principality
of Monaco appointed Hsu Feng as the Honorary
Consul of Monaco in Shanghai.
Missing from the turntable for another 8 years
since the hit movie Temptress Moon in 1995, Hsu
Feng produced Shanghai Story in 2003. The movie
won the best actress award from the 7th Shanghai
International Film Festival. Hsu Feng’s legend
continues.
Filmography
of Hsu Feng
Actress - filmography
Great Hunter, The (1986)
Chase Step by Step (1982)
8 Peerless Treasures (1979)
Raining in the Mountain (1979)
Noble Ninja (1977)
To Kill with Intrigue (1977)
18 Shaolin Disciples (1976)
Longest Bridge, The (1976)
Valiant One, The (1975)
Fate of Lee Khan, The (1973)
Legend of the Mountain (1971)
Touch of Zen, A (1969)
Dragon Gate Inn (1966)
Filmography as Producer Shanghai Story(2003)
Temptress
Moon (1996)
Farewell
to My Concubine (1993)
Five
Girls and a Rope (1991)
Red
Dust (1990)
Young
Kick Boxer (1990)
Enter the Young Dragon (1989)
The
Adventure of Kung Fu Kids (1988)
Dreams (1988)
Tsai-Dau
and His Friends (1988)
Starry
Is the Night (1988)
Runaway
Blues (1988)
Never
Ending Memory (1988)
The
Kids with Travels through Time (1987)
Those
Ill-fated Kids (1987)
The
Game They Called Sex (1987)
Let
me Speak Up (1987)
Soul (1986)
The
Lock of Hearts (1986)
Kung
Fu Kids Part II (1986)
The
Spring Outside the Fence (1985)
Kung
Fu Kids Part I (1985)
Oldster and
Youngster (1985)
The
Young and Old Wanderers (1985)
Gorgeous (1985)
Funny
Face (1984)
The
Woman of Wrath (1984)
Awards and Nominations
Red Dust Golden Horse Award(Best Actress, Best Artistic
Design, Best Cinematography, Best Costume & Make-up
Design, Best Director, Best Original Score, Best
Picture, Best Supporting Actress)
Five Girls and One Rope Tokyo International Film Festival, Silver Award
Nantes Three Continents Festival, Golden Montgolfiere
Rotterdam International Film Festival, FIPRESCI
Award
Farewell My Concubine Academy Awards, USA, Nominated Oscar Best Foreign
Language Film
BAFTA Awards, Best Film not in the English Language
Boston Society of Film Critics Awards, Best
Foreign Language Film
Camerimage, Silver Frog
Cannes Film Festival, Golden Palm
César Awards, France, Best Foreign Film
Golden Globes, USA, Best Foreign Language Film
London Critics Circle Film Awards, Foreign Language
Film of the Year
Los Angeles Film Critics Association Awards,
Best Foreign Film
National Board of Review, USA, Best Foreign
Language Film
New York Film Critics Circle Awards, Best Foreign
Language Film & Best Supporting Actress
Political Film Society, USA, Special Award
Temptress Moon Cannes Film Festival, Nominated Golden Palm
Hong Kong Film Awards, Nominated Hong Kong Film
Award
Shanghai Story
2004 The 7th Shanghai International Film Festival
- Best Actress Award
2004 The 24th Golden Rooster
Award - Best Picture Award, Best Director Award,
Best Actress Award, Best Supporting Actor Award
Footprints of the past
May, 1975
French magazine, POSITIF first used a Chinese
movie star for its cover page, Hsu Feng's legendary
pose from A Touch of Zen
Hong Kong ‘s South China Morning Post credited
Hsu Feng's acting as “outstanding, it made western
audience to believe there was a female legend
in China, her role is immiscible for Chinese
women.”
August , 1976
British Magazine “Film and Filming”
praised Hsu Feng's misty eyes and impress people with her mysterious beauty,
said that persistence
and gentleness co-exist in her ….
October , 1976
A Touch of Zen was selected for
14th New York International Film Festival. New
York Times reported Hsu Feng's performance is
exquisite.
1979
Sept 4th , Montreal's Star Newspaper
in Canada commented that “Hsu Feng is
a great actress that seldom seen in both eastern
and western film world”.
1980
February, British film critic
Adrian wrote in Film and Filming to recommend
Legend of the Mountain, "Hsu Feng switched from
a beauty to a monster, her performance comes
with no flaw".
1994
After Hsu Feng took back the
first Golden Globe award for Chinese people,
Taiwan's Apple Daily said, "Hsu Feng is made
of steel, she won this outstanding award through
her persistence and ambition."
1998
Mr. Pierre Viot, Chairman of Cannes Interntional
Film Festival, “Mme. Hsu Feng is the only Asian,
also the only female to receive this Most Outstanding
Producer Award. Her life and Cannes has become
inseparable, she is part of this film festival.
We shall solute for her love, encouragement and
contribution to the movie industry”
2005
TIME Magazine included A
Touch of Zen as one of the "ALL-TIME 100
Best Films". "Leading the acrobatic
procession is Hsu Feng. Just 18 when the film
was made, she remains the screen's gravest, most
ravishing woman warrior."
2009
Culture Simiri Award from Shanghai Municipality
2010
THE ORDER OF SAINT-CHARLES from the Principality of Monaco
2017
Lifetime Achievement Award at the 54th Golden Horse Awards in Taiwan
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